Every generation has its own entry and exit. They have their own crisis and celebrations. This is an attempt to bring and connect the dotted lines between the generations. The collectively carefree voyage of everyone's day is "Sunday."

Rock documentary with excellent production values, 29 July 2006 　　Author: Chris_Docker from Scotland, United Kingdom 　　The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. 　　The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. 　　Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. 　　Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. 　　The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

Rock documentary with excellent production values, 29 July 2006 　　Author: Chris_Docker from Scotland, United Kingdom 　　The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. 　　The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. 　　Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. 　　Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. 　　The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

由五部演员们执导的短片构成的WOWOW开局30周年纪念项目。 　　機械仕掛けの君 　　アンドロイドが進化した近未来社会、AI技術者の照康（泉澤祐希）は不安を抱き、反体制運動に身を投じていた。照康の弟の鳳太は、ある日泰明に出会い友達になる。 　　夜明け 　　下北沢の狭い部屋に独居する田中（森山直太朗）は、いつのころからか「正義」を追求してきた。アルバイトで食いつなぐうたかたの日々にありながら、人助けのために奔走する。 　　そそがれ 　　幼い頃に通った絵画教室、そこでオレ（吉村界人）を指導してくれた先生（神野三鈴）の繊細な筆遣いの感覚をいまも思い出すことができる。先生との秘密の共有と罪の意識。 　　GET SET GO 　　ビルから飛び降りようとしていた慶（竜星涼）を引き止めた隼人（大東駿介）は、ロシアンルーレットの賭場へ彼を連れて行く。異様な世界で、慶と隼人がみたものは。 　　in-side-out 　　どんな理由からか、部屋に引きこもっている男（永山瑛太）。他者との関わりを持たなくなった男の脳内では、外の世界への妄想や過剰な自意識が常に垂れ流され、次第に虚実が裏返っていく…。

由五部演员们执导的短片构成的WOWOW开局30周年纪念项目。 　　機械仕掛けの君 　　アンドロイドが進化した近未来社会、AI技術者の照康（泉澤祐希）は不安を抱き、反体制運動に身を投じていた。照康の弟の鳳太は、ある日泰明に出会い友達になる。 　　夜明け 　　下北沢の狭い部屋に独居する田中（森山直太朗）は、いつのころからか「正義」を追求してきた。アルバイトで食いつなぐうたかたの日々にありながら、人助けのために奔走する。 　　そそがれ 　　幼い頃に通った絵画教室、そこでオレ（吉村界人）を指導してくれた先生（神野三鈴）の繊細な筆遣いの感覚をいまも思い出すことができる。先生との秘密の共有と罪の意識。 　　GET SET GO 　　ビルから飛び降りようとしていた慶（竜星涼）を引き止めた隼人（大東駿介）は、ロシアンルーレットの賭場へ彼を連れて行く。異様な世界で、慶と隼人がみたものは。 　　in-side-out 　　どんな理由からか、部屋に引きこもっている男（永山瑛太）。他者との関わりを持たなくなった男の脳内では、外の世界への妄想や過剰な自意識が常に垂れ流され、次第に虚実が裏返っていく…。

Presenting ‘Family’, a made-at-home short film featuring Amitabh Bachchan, Rajnikanth, Ranbir Kapoor, Priyanka Chopra, Alia Bhatt, Chiranjeevi, Mohanlal, Mammootty, Sonalee Kulkarni, Prosenjit Chatterjee, Shiva Rajkumar & Diljit Dosanjh, virtually directed by Prasoon Pandey.

Enter the colorful world of Emmy-winning, Oscar-nominated Patricia Field, the costume designer behind Sex and the City, Emily in Paris, Ugly Betty, and The Devil Wears Prada. A queer, first-generation Greek-American, this fiery redhead defied the odds to become a fashion icon. Features interviews with Kim Cattrall, Lily Collins, Sarah Jessica Parker, Michael Urie, and more.

Enter the colorful world of Emmy-winning, Oscar-nominated Patricia Field, the costume designer behind Sex and the City, Emily in Paris, Ugly Betty, and The Devil Wears Prada. A queer, first-generation Greek-American, this fiery redhead defied the odds to become a fashion icon. Features interviews with Kim Cattrall, Lily Collins, Sarah Jessica Parker, Michael Urie, and more.

During a stark winter weekend in upstate NY, siblings reconnect a year after their mother's death.

「アクターズ・ショート・フィルム2」は2022年にWOWOWで放送・配信される予定。